Supporting Question
Why do African inventors’ stories matter?
For the formative performance task, use the sources to answer the following questions:
What did invention, innovation, and technology look like in early African civilizations? What are some significant examples?
In what ways did early African inventions and technological systems lay the foundation for subsequent Black innovation and scientific advancement? How did this shape later Black innovation and creativity?
What do European doubts or denials regarding Africans’ capacity for sophisticated technological innovation and invention reveal about the prevailing intellectual, cultural, and racial ideologies of the period?
Featured Sources
Source A
African ceramic inventions section from “Africa's Independent Inventions & Lost Technologies,” HomeTeam History, 2025
Watch video from 4:20 to 7:00 minutes.
Source B
“The Mastery of Technology and Art: The Great Bronzes of Benin (15th—18th centuries),”
The Black History Book, 2024
Source C
“Statistical models suggest multiple origins of ceramic technology in Africa,” Rocco Rotunno & Enrico Crema (archeologists), 2025
Pottery is one of the earliest transformative technologies in human history, marking new ways of storing, cooking, and processing food. In Africa, ceramics first appeared in the Sahara during the African Humid Period, around 11,000–10,000 years ago, when hunter-gatherer-fisher groups were adapting to environments of growing ecological productivity.
While several regions have been proposed as the birthplace of this innovation, researchers have long debated whether pottery in Africa emerged once or through multiple independent developments. The small sample sizes and high levels of chronological uncertainty associated with these finds have, so far, made this problem a particularly challenging one to tackle.
In a new study in Nature Communications, Rocco Rotunno and Enrico Crema from the University of Cambridge, compiled radiocarbon evidence from across Early Holocene Africa, including both sites with and without pottery.
Using novel statistical models of spatio-temporal diffusion, they compared different scenarios for the spread of ceramic technology. The analysis found the strongest support for models with dual or triple origins, suggesting independent centres of innovation in the Central Sahara, Nile Valley, and West Africa.
These findings challenge the idea of a single-point origin and emphasise the importance of localised technological choices, regional ecological conditions, and intergroup interaction. By refining the chronology and modelling the spread of ceramics, the study provides new insights into the role of innovation and connectivity in shaping the cultural trajectories of early African societies.
Source D
“Metal,” in The Art of AFRICA: A Resource for Educators, p.36, 2006
Source E
“Met Art in Publication,” The Art of AFRICA: A Resource for Educators, 2006
Students can click on the Source E button to review the “Met Art in Publication” section that includes art such as the “Seated figure” from a Middle Niger artist in the 13th century (left) and the “Lidded saltcellar” from a Temne or Bullom artist(s) from ca. 1490–1530 (right). Learn more on these artworks and others on the Met site.
Source F
“Transforming Rural Heahlthcare: Arthur Zang, Cameroon,” Time, 2018
Click the Source E link to watch a 2-minute video and read a short story on Arthur Zang’s invention of the Cardio-Pad, a touch-screen medical tablet that allows heart examinations (like ECGs) to be performed in remote villages and sent to specialists in cities via the mobile network.